Want to make it look like your subject’s dashing across a busy road packed full of cars? No problem. It offers all kinds of implications for filmmakers to composite foreground and background elements into a scene.
What’s particularly impressive, though, is that they were able to blend motion graphics elements in that seemingly go both behind and in front of the subject, separate from the environment itself, which took a lot more clean up work with the old Roto Brush! But they’ve been cut out so well, that it’s virtually impossible to spot the joins – especially after a little assistance from the Puppet Warp tool. Was the whole thing shot in front of a green screen? No, it was all shot at the locations seen in each of the clips the video contains.
But instead of just shooting a test and showing it off as a showcase, they turn it into a tutorial so that we can all see what to expect when it finally comes to the retail version (although anybody with a CC account should be able to get the beta through the Creative Cloud app). The Cinecom team made a little dance video, and when you watch it, it’s difficult to spot exactly how it’s done until you see it all broken down.
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